1,181 Royalty-Free Audio Tracks for "7 Limit Tuning And Intervals"

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D♭7♯11 chord = G7alt chord.
Author: Created by Hyacinth (talk) 15:48, 15 July 2008 in Sibelius.
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Five steps in A12 equal temperament on middle C. 3(5/12)=792.48 cents.
Author: Hyacinth
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*Beta scale step on C. (3 : 2)1/11 : 1 = (4 : 3)1/8 : 1 = 64 cents. MIDI pitch bend: 54,84 on PU
Author: Hyacinth (talk)
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Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).
Author: en:Scott Joplin
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Two steps in A12 equal temperament on middle C. 3(2/12)=316.99 cents.
Author: Hyacinth
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Dominant seventh flat nine chord on C - As MIDI
Author: Hyacinth at en.wikipedia
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Dominant thirteenth chord in four-part writing.
Author: User:Hyacinth
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Four steps in A12 equal temperament on middle C. 3(4/12)=633.99 cents.
Author: Hyacinth
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Eight steps in A12 equal temperament on middle C. 3(8/12)=1267.97 cents.
Author: Hyacinth
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Three steps in A12 equal temperament on middle C. 3(3/12)=475.49 cents.
Author: Hyacinth
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Nine steps in A12 equal temperament on middle C. 3(9/12)=1426.47 cents.
Author: Hyacinth
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*Gamma scale step on C. (3 : 2)1/20 : 1 = 35.1 cents.
Author: Hyacinth at en.wikipedia
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Eleven steps in A12 equal temperament on middle C. 3(11/12)=1743.46 cents.
Author: Hyacinth
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One step in A12 equal temperament on middle C. 3(1/12)=158.50 cents.
Author: Hyacinth
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Delta scale step on C. (16 : 15)1/8 : 1 = 13.97 cents. MIDI pitch bend: 61,68
Author: Hyacinth (talk)
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Ten steps in A12 equal temperament on middle C. 3(10/12)=1584.96 cents.
Author: Hyacinth
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*9 steps in 15 equal temperament on C = G♮ (Easley Blackwood's notation). Equal-tempered: 29/15=3/5:1 = 720 cents. MIDI pitch bend: 51,70
Author: Created by Hyacinth (talk) 20:38, 16 December 2009 using Sibelius 5 with midi pitch bend on ~179,69 on G.
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*Magic temperament major third on C. 31/5 : 1 = 380.39 cents.
Author: Created by Hyacinth (talk) 10:57, 26 February 2010 using Sibelius 5 with midi pitch bend on ~77,57 for 380 cents.
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German sixth with 6/4 resolution, generated on Sibelius.
Author: Hyacinth
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*Octave, fourth, and just chromatic semitone/Compound just augmented fourth on C = F♯ (Ben Johnston's notation). 50:18 = 1768.72 cents.
Author: Created by Hyacinth (talk) 16:27, 15 December 2009 in Sibelius with midi pitch bend on 54 for 1,768.75 cents rather than 1,770.67. New version a P8 + P4 on 79,86 for 1770.6787109375 cents rather than 1,770.67.
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Minor ninth augmented fifth chord on C. C E G♯ B♭ D♭.
Author: Hyacinth
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*Two-third tone on C = C♯/D♭. Equal-tempered: 21/9:1 = 133.33 cents. MIDI pitch bend: 85,74
Author: Hyacinth
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Dominant thirteenth: four-voice version. "This disposition is typical." Created by Hyacinth (talk) 18:33, 30 May 2011 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Octaves marked middle octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Thirteenth chord CMI7(add13). Created by Hyacinth (talk) 18:56, 4 July 2009 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Octaves marked highest octave. Created by Hyacinth (talk) 07:54, 3 January 2012 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Tonic thirteenth chord on F. Created by Hyacinth (talk) 22:14, 1 July 2009 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Thirteenth chord CMA13. Created by Hyacinth (talk) 18:55, 4 July 2009 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Dominant seventh flat nine chord on C. Created by Hyacinth (talk) 17:06, 10 July 2008 using Sibelius.
Author: The original uploader was Hyacinth at English Wikipedia.
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Melodic half step in Bohlen-Pierce tuning (Equal Tempered)
Author: Sciurid
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Thirteenth chord based on minor triad. Created by Hyacinth (talk) 13:43, 7 July 2009 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Minor eleventh chord on C. Created by Hyacinth (talk) 15:25, 27 July 2008 in Sibelius.
Author: The original uploader was Hyacinth at English Wikipedia.
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Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.
Author: User:Hyacinth
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Thirteenth chord with flat ninth. Created by Hyacinth (talk) 13:36, 7 July 2009 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Created by Hyacinth (talk) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar.
Author: Created by Hyacinth (talk) 19:36, 4 July 2009 using Sibelius 5.
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Seventh augmented eleventh chord on C.
Author: Created by Hyacinth (talk) using Sibelius.
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Thirteenth chord C13(b9). Created by Hyacinth (talk) 19:39, 4 July 2009 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Multi-octave F major chord with octaves marked by brackets. Created by Hyacinth (talk) 07:47, 3 January 2012 (UTC) using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Thirteenth chord C13. Created by Hyacinth (talk) 18:56, 4 July 2009 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Thirteenth chord CMI13. Created by Hyacinth (talk) 19:35, 4 July 2009 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Quartal chord on A equals thirteenth chord on B♭, distinguished by the arrangement of chord factors. Created by Hyacinth (talk) 13:55, 13 October 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Thirteenth chord C13b9. Bass note: C or alternatively G. Created by Hyacinth (talk) 01:33, 6 July 2009 using Sibelius 5.
Author: Hyacinth at English Wikipedia
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Seventh sharp nine chord on C. Created using Sibelius.
Author: Hyacinth at English Wikipedia
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Thirteenth Polychord - Separate chords within an extended chord.
Author: Hyacinth
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